Xia Xiao Wan
Xia Xiao Wan makes ethereal three dimensional sculptures by layering painted plexiglass.
Xia Xiao Wan makes ethereal three dimensional sculptures by layering painted plexiglass.
Two delicious stacks of links about
Also don’t forget to return to the 8 Spruce building by Gehry Architects. What window washing facilities they designed….
This is a 3D printing on demand website. They will print objects that you have created
From Amazon:
Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.
Find this book by following these direct links to the book on Amazon or in CMU’s Hunt Library
For those who wouldn’t normally come into contact Fran, she’s the digital art studio manager in Doherty C level. I wasn’t familiar with Fran’s work until yesterday, however. Fran’s work often references motherhood. She scan’s condensed breast milk using the 3D scanner and prints the organic forms using the 3D printer. What makes these works interesting to me is the reference to the female form and the evidence of the artist’s touch through the content of the work, her breast milk.
These 3D printed shells are part of a project called Project Shellter. The idea is to make shells for hermit crabs to live in instead of the trash that they are sometimes forced to live in due to a worldwide shell shortage. Miles Lightwood is the person responsible for this idea, although he is working with the MakerBot community as well. Here are the links:
http://www.facebook.com/ProjectShellter
http://laughingsquid.com/project-shellter-success-hermit-crabs-adopt-3d-printed-shells/
Janet Echelman uses 3D modeling and industrial digital fabrication processes to create large scale public sculpture. In the case of the image bellow Echelman used data from a tsunami to create the form and coloration of the hanging sculpture, currently installed in Sydney, Australia.
Constructed in 2011, this sculpture was made by a student at CMU. In fact, it was a final project for this course last year.
As a mechanical engineer, I am infatuated with anything that moves, but this creature has some smarts to it, and some pleasing aesthetic qualities that make it appealing to a wide audience. The structure is comprised of specially designed laser-cut gears that interface at a smaller and smaller scale as the structure grows longer. Each segment is also outfitted with a laser-cut paper structure that serve as frills to the spiny structure. Only the base of each ‘tentacle’ is actuated; a hobby servo motor is embedded in addition to an Arduino and Lynx Motion controller.
Under normal conditions, the creature waves around, as if being coerced by an undersea current. However, when a potential threat approaches, an infrared proximity sensor alerts the creature and it assumes a defensive, curling behavior.
Additional images and description of the fabrication process are located on the creator’s blog.
http://www.youtube.com/watch?feature=player_embedded&v=gvUpkknryaY#!
http://www.thisiscolossal.com/2011/04/one-man-100000-toothpicks-and-35-years-scott-weavers-rolling-through-the-bay/?src=footer
These are two separate pieces by Daito Manabe. Daito’s huge hit was years ago after he published a performance/experimental piece where he electronically controls the muscles in his face. But still Daito makes incredible work. Highly computational and also highly fabricated. His work seems to have some bit of cultural divide, but still the passion is conveyed through the work.
I can’t embed because WordPress is escaping the tags but:
http://player.vimeo.com/video/21676294
It’s a geeky 3D photobooth. 3 Kinects scan you and a minature you is printed on the spot. It’s not particularly artsy, but it’s a potent fusion of current technologies, and an effective way of bringing technology out of the lab and engaging the audience more directly.