“Five Minutes of Pure Sculpture” by Anthony McCall (2012)

Reference — chung @ 6:37 pm

www.youtube.com/watch?v=E4FDLc2HbAY&w=500

Anthony McCall has developed his exploration of solid light which has overtaken the darkened central space of hamburger bahnhof. Mccall has transformed the 1,000 square meter room through his introduction of blinding small streams of light pouring down from the rafters of the vacuous, black space. this in-depth installation of mccall’s work is the first instance in which both vertical and horizontal luminescent forms are displayed within the same show.

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“Night of the Audile” by Gregory Barsamian (1993)

Reference — chung @ 6:36 pm

Night of the Audile

materials: record player, sculpy / collection: Musee Chateau

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“Our Lady of Detritus” by Kristin Norderval (2009)

Reference — chung @ 6:36 pm

vimeo.com/9451285&w=500

A portable, interdisciplinary performance installation about trash and transcendence; a traveling grassroots campaign fueled by experimentation, green energy sources and community interaction.

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“Zee” by Kurt Hentschlager (2008)

Reference — chung @ 6:21 pm

“Zee” by Kurt Hentschlager

The audience wanders freely in a space filled with extremely dense fog that fully obscures all of its boundaries. Stroboscopic- and pulse lights illuminate the fog, in a softened and evenly dispersed manner, creating kaleidoscopic three-dimensional structures in constant animation. An ambient and minimal sound-scape connects to the imagery, without directly synchronizing to it.

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“Rain Room” by Random International (2012)

Reference — chung @ 6:20 pm

vimeo.com/51830893&w=500

Rain Room is a hundred square metre field of falling water through which it is possible to walk, trusting that a path can be navigated, without being drenched in the process.

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Enchanted Object: “Unusual Handshake” By Amy Friedman and Gina Huang (2014)

IMG_1192IMG_1193IMG_1186

Interacting with another persons hand is how we create relationships and begin conversations with new people, but what happens when there is no person to the hand? The hand has its own personality to tell a story but how do you interact with it? Would you trust this hand?

While being placed in a bathroom we were able to watch people interact and look weirdly upon what the hand was, they tried to touch it, and when they hit the right spot water would squirt out at them to their surprise. This hand is meant to be touched, examined and shaken, and in return you are surprised by a squirt gun as a way to leave the imaginary person in peace. But you interacted with a hand without a person, highlighting the persona human extremities contain on their own.

Enchanted Object: “SoapBox: Lonely Dog Up For Adoption” by Priya Granadas and Yeliz Karadayi


SoapBox: Lonely dog up for adoption from Priya Ganadas on Vimeo.

SoapBox is a puppy who likes pretending he goes on adventures though really he just likes to sit on his couch. SoapBox is lonely and looking for love, however, if you hit him he will like you less and less. He is forgiving though, of course, and if you hold your hand out to him gently and wait to pet him, you might win him over and he’ll reach back out for your love. He gets confused when you disappear out of view, and he gets bummed when he’s alone. Voice reactions indicate his mood, and he moves when he’s reaching out for you to pet him. SoapBox wants to learn to love!

Alone Soap sits, waiting for someone to love

Alone Soap sits, waiting for someone to love

Could it be? Will somebody take me?

Could it be? Will somebody take me?

Alas, no. I continue to sit here sobbing on my SoapBox.

Alas, no. I continue to sit here sobbing on my SoapBox.

 

Enchanted Object: “Affectionate Clock” By Malik B. Parker & John Brieger (2014)

Final Form

 

It used to be that clocks were these semi-magical objects. They were by far the most complex pieces of machinery that people owned, and winding and caring for a clock properly was part of the duties of ownership. Now we live in a world where almost everyone has a clock in their pocket, and can just check time on their phone/microwave/car radio. We took the idea of an antique clock, and we gave it personality! This clock just want to be loved and respected! If you don’t show it any affection, it will purposely tell you the wrong time. You can show it affection by petting it, and if you show it enough affection, it will feel loved and tell you the right time.

 

Internals Prior to Disassembly

 

Process:
We began by looking at objects we could embue with emotion. Clocks are great for this because they have parts (hands) that already are “supposed” to move, and they have a sentimental quality about them. While looking on craigslist for potential clocks, we found this amazing ad for “New LARGE Clock – Great for a Gift or an Older Person – $25”. It was a perfect example of why our project exists. We ended up purchasing a mantle clock from craigslist, gutting the internals, and wiring a hand to a continuous servo. Copper tape placed on the exterior of the clock let us discretely add a capacitive touch sensor while integrating into the antique aesthetic of our clock.

 

Final Internals

 

Reflection:
In hindsight, we should have researched our components a bit more. We ended up with not quite enough time to calibrate the servo motor correctly, which led to the clock not quite working as intended. The decision to include LED light ending up being the wrong one, as was exposed in our critique, as it broke the aesthetic of the clock. Still, our concept was strong and the clock project could be a good portfolio piece with a little more time.

 

Enchanted Object: “Tears For My Pillow” by Matt Sandler and Claire Sophie (2014)

1_Enchanted Object,Assignment,Hardware,Python,Sensors — MattSandler Sandler @ 6:21 pm

TEARS ON MY PILLOW from Claire Sophie on Vimeo.

 

 

 Tears on my pillow 1

Tears on my pillow 2

A man goes to see a doctor. Doctor asks what seems to be the trouble. The man says, “Doc, I’m depressed. Simply, I can’t sleep sometimes, I can’t eat, I feel down and irritable most days. I just can’t feel ‘happy.'”

The Doctor says, “I’ve got the perfect fix for you. In town tonight is the great clown Pagliacci. He’s hysterically funny and will make you laugh till you cry. You will experience a joy unprecedented.”

The man bursts into tears. The doctor, confused asks why. “Doc, I am Pagliacci.”

 

Electronic instruments allow for a unparalleled level of potency.

However, their power is often is misguided and lost within layers and layers of application.

Tools that were created to connect users, often cause users to craft an image that strain the rift of disconnect, spiraling into depression.

Our product simplifies the cluttered process and allows users to cry into a pillow to directly support an unfeeling avatar.

Hopefully this candid approach can serve either as an apt metaphor for a lost generation, or a wake up call to end the self-fueling fire of emotional detachment and sadness.

 

portfolio_ms

Enchanted Object: “BETRAYAL BOT!” by Dan Russo and John Mars

BETRAYAL BOT! takes trust as its input, and returns betrayal as a result. The robot will ask for your phone under the pretense of charging it — all will appear as normal until you try to take your phone back. That’s when BETRAYAL BOT! springs into action: he’ll immediately drive away as fast as he can, taking your phone with him while leaving all sense of safety behind. BETRAYAL BOT! is your best friend and your worst nightmare.

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