“Weiv” by Weiv Co (2011)

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“Casalgrande ceramic cloud” by Kuma & Associati (2010)

Reference,Visual — meng @ 2:19 pm

Architecture without material: a non-corporeal visual project about ceramic. Kengo Kuma & Associate wanted to recreate and explain the inner meaning of the Ceramic Wall they designed and built for Casalgrande in central Italy. Studio Visuale has been choosen to design and create an immersive visual experience that could show the public the meaning and significance of the work of Kengo Kuma, creating a contemplative and emotional atmosphere.

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“Pleiades” by James Turell (1983)

Uncategorized — cwill @ 2:14 pm

turrell.pleiades

A minimal light piece by James Turell consisting of an extremely dark room with a barely-perceptible light projected on the wall opposite the viewer. The viewer’s imagination fills in what their senses can’t, and the dimensions of the room and the image of the opposite wall become extremely difficult to judge accurately.

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“Sound Universe” by Jiachun Li (2014)

Artists,Reference — mbparker @ 2:13 pm

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“Living Light” by The Living Architecture Lab (2009)

Reference — amyfried @ 2:12 pm

Living Light (Seoul, 2009) from David Benjamin on Vimeo.

Platform lights to show real time air quality in Seoul, Korea.
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“Dromos” by Fraction & Maotik (2013)

Audio,Reference — meng @ 1:59 pm

Dromos – An immersive performance by Fraction & Maotik from fraction on Vimeo.

Dromos is a Live audio visual performance created by composer Fraction and visual artist Maotik, designed for immersive environment, developed in the satosphere, at the Société des Arts Technologiques, for Mutek festival in 2013. Live Sound & synthesis are processed in ambisonics 2D for surround sound filed restitution purpose.

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“Sound Cloud” by Alex Beim, Daito Manabe, Tangble Interaction, and Rhizomatiks (2011)

Artists,Instrument,Reference — amyfried @ 1:44 pm

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“The Parking Lot Experiments” by The Flaming Lips (1996-97)

Audio,Reference — cwill @ 1:34 pm

A series of participatory musical performances organized by Wayne Coyne and company in the mid-90s.  Audience members were given tapes to play on their car stereos, synchronized to start at the same time, and were responsible for changing the volume of their respective tapes with Wayne acting as a conductor.

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“Tangible Orchestra” by PICAROON (2014)

Instrument,Reference — amyfried @ 1:34 pm

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“Resonate” by Masters Students of University of Applied Sciences Mainz and Johannes Gutenberg University (2012)

Instrument,Reference — amyfried @ 1:27 pm

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