“Wearable Tech for Fitness” by Athos (2014)

Wearable shorts and shirts created by Athos that track your balance, muscle output, and heart rate,and more. This product utilizes embedded magnometers, breathing sensors, heart rate sensors, and emg sensors.

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“Dyskograf” By Jesse Lucas, Erwan Raguenes + Yro 2013

Instrument,Reference — rciavarella @ 8:33 pm

“Mogees” by Bruno Zamborlin, et al. (2012)

This fourth precedent is being posted because Ishin-den-shin was already used and I wanted to be sure to have three new ones. This technology can turn anything into an instrument by picking up on the way that the object being used as an instrument is being touched. Like Ishin-den-shin, this project has something seemingly low-tech do something unexpected and truly immerses the user in the experience by having them be directly involved.

 

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“Musical Frission” – By Malik B. Parker (2014)


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Frisson – a brief moment of emotional excitement

Have you ever experienced chills when listening to music? Does certain songs cause orgasmic spasms to flow down your spine during  specific riffs? Scientists call this chilling effect “Musical Frisson”. Scientists estimate that only 25-50% of people in the world can actually experience musical frisson. I believe musical frisson is an effect on the human body that everyone should be able to feel, therefore the goal of the Musical Frisson Inducer is to increase the percentage of people who experience musical frisson.

To help make this possible, inside the capsule contains five 8Ω amplified speakers positioned to simulate 3D Audio Effects including 2 Subwoofers for vibrational effects as well. Certain effects are known to stimulate the effects of musical frisson such as:

  • Abrupt Volume Change
  • Panning
  • Climatic Build Up
  • Sudden Change in Tempo

There are many more effects, but the main effects that were used on the audio side of my project involved mainly Panning, Volume Change, Climatic Build Up, and High and Low Frequency Filtering. Using music editing software to create these effects, I chose Kid Cudi’s “Copernicus Landing”, in hopes that a more abstract song would not allow internal negative or positive feelings to be elicited.

Along with the Audio Effects were Visual Effects to also induce a state of serenity. Synced with the music element, the hope was to help induce Musical Frisson by including other senses with the experience. By keeping the visual to a minimum of a light show rather than a display of an equalizer, it doesn’t draw attention from the music, however it aims at stimulating the receptors in our brain to be more open to the Audio Element of the this project.

 

“FingerWorld” by Claire Hentschker and Matt Sandler (2014)

Assignment,Audio,Digital Art,Instrument,Visual — chentsch @ 4:39 pm



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Fingerworld is an immersive experience for the hand. As your fingers walk across the fabric, the world moves around them.

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Fine Collection of Curious Sound Objects by Georg Reil

Audio,Instrument,Reference — rciavarella @ 10:19 pm

FINE COLLECTION OF CURIOUS SOUND OBJECTS from Georg Reil on Vimeo.

“Tape Recorders” by Rafael Lozano-Hemmer (2011)

Artists,Digital Art,Reference — MattSandler Sandler @ 5:30 pm

“Tape Recorders” – MCA Sydney (2011) by Rafael Lozano-Hemmer from bitforms gallery on Vimeo.

Tape recorders extend or recoil based on the participants interactions.

Also maybe check out “This Years Midnight”

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“Colors” by Cory Arcangel (2005)

Artists,Digital Art,Reference,Visual — chentsch @ 5:25 pm

“A 33-day-long version of Dennis Hopper’s 1988 film Colors.”

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“Chainsaw” by Oscar Peters (2009)

Artists,Reference — MattSandler Sandler @ 5:19 pm

 

Untitled from Oscar Peters on Vimeo.

This is simply a chainsaw activated by the participant. It inhabits the space both physically and aurally however in both cases eliciting fear from the user.

Also see Chopper and SugarStorm

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“Fractal Flowers” by Miguel Chevalier (2014)

Artists,Digital Art,Reference,Visual — chentsch @ 5:15 pm

Miguel CHEVALIER Paradis artificiels 2014 (version courte, short version) from Claude Mossessian on Vimeo.

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