
My intention with the black ink brush marks was to convey (through the linear marks) a sense of “organized” life and artificiality. The sides of the triangle (taped together) are abstract ink renderings of flesh or body parts. The goal was to Question the progress of artificial intelligence, and it’s relation to the human narrative. Is flesh, or “organic” material superior to “Artificial?” Does a robot think in 4 dimensions, does a human think in 3?”Clearly this small assignment does not do the idea justice. However this was where my head was at the time.
Joseph Beuys (b. 1921 in Krefeld, Germany, d. 1986)
Jean Tinguely (b. 1925 in Fribourg, Switzerland, d. 30 August 1991 in Bern)
Roman Signer (b. 1938 in Appenzell, Switzerland)
Pierre Huyghe (b. 1962 in Paris, France)
Peter Flemming (b. 1967 in Halifax, Canada)
Gedi Sibony (b. 1973 in NYC)
Luke Loeffler (b. 197x in Okalahoma, USA)
David Bithell (b. 1976 in San Diego, USA)
- A View of the Santa Rosa Mountains as seen from the Borrego Badlands [1999]
John Peña (b. ? in Washington, USA)
Knowbotic Research (established 1991 by Yvonne Wilhelm, Christian Hübler and Alexander Tuchacek)
supplier list:
http://www.cmu.edu/art/resources/pdf/suppliers.pdf

(From: Google Warehouse)



Ferris Wheel Movement.flv
“The great thing in this world is not so much where we stand, as in what direction we are moving.”