Student Work
R2 response
As described in “The X, Y and Z of Digital Storytelling: Dramaturgy, Directionality, and Design”, people are constantly flooded with information and skimming it: only gleaning the most easy to consume information. However skimming only gets you so far. Furthermore
R2 response
As described in “The X, Y and Z of Digital Storytelling: Dramaturgy, Directionality, and Design”, people are constantly flooded with information and skimming it: only gleaning the most easy to consume information. However skimming only gets you so far. Furthermore
R2 – Response to Readings
The X, Y and Z of digital storytelling: Dramaturgy, directionality, and design (2015) This article didn’t explain itself fully or provide a comprehensive description of the axes of storytelling, especially the Z axis for which the authors had particular admiration.
R2 – Response to Readings
The X, Y and Z of digital storytelling: Dramaturgy, directionality, and design (2015) This article didn’t explain itself fully or provide a comprehensive description of the axes of storytelling, especially the Z axis for which the authors had particular admiration.
R2 Reading Response
How Stories Deceive This New Yorker article offers a digestible example on how a good story can be powerfully persuasive and albeit, deceptive. Which leads me to an broader question: How can we better understand the intentionality and morality of storytellingWe
R2 Reading Response
How Stories Deceive This New Yorker article offers a digestible example on how a good story can be powerfully persuasive and albeit, deceptive. Which leads me to an broader question: How can we better understand the intentionality and morality of storytellingWe
R1 – Response to Readings
In “Storytelling for Oppositionists and Others: a Plea for Narrative,” law professor Richard Delgado makes a wonderfully unpredictable move for an article in a law review: he gleefully spins a tale. The thrust of the article is a presentation, through
R1 – Response to Readings
In “Storytelling for Oppositionists and Others: a Plea for Narrative,” law professor Richard Delgado makes a wonderfully unpredictable move for an article in a law review: he gleefully spins a tale. The thrust of the article is a presentation, through
R1 Storytelling with Data – Irene Alvarado
Notes on our readings for week 01/21 Storytelling -the art of telling stories- has been around, as some of the authors point out, forever. But that doesn’t mean that stories have been present everywhere and at all times. In fact, not
R1 Storytelling with Data – Irene Alvarado
Notes on our readings for week 01/21 Storytelling -the art of telling stories- has been around, as some of the authors point out, forever. But that doesn’t mean that stories have been present everywhere and at all times. In fact, not
R1 Reading Responses
Data Culture If the quantification of society fails to address the more nuanced areas of human life, could the production of data itself ever be considered a creative act? Can data ever be…artistic? This is a valid question because as
R1 Reading Responses
Data Culture If the quantification of society fails to address the more nuanced areas of human life, could the production of data itself ever be considered a creative act? Can data ever be…artistic? This is a valid question because as
R1- Response to Readings
Contemporary Data and Storytelling A common distinction made in our readings was between the possible outcomes of our increased access to data. According to Schmidt and Slaney, all of this information is either going to be humanity’s savior or ruin. The
R1- Response to Readings
Contemporary Data and Storytelling A common distinction made in our readings was between the possible outcomes of our increased access to data. According to Schmidt and Slaney, all of this information is either going to be humanity’s savior or ruin. The
R1 – Response to Readings
“Storytelling for Oppositionists and Others: A Plea for Narrative” by Richard Delgado (1989) I was particularly taken the way in which this article manipulated the way I felt about the situation every time it presented a different point of view.
R1 – Response to Readings
“Storytelling for Oppositionists and Others: A Plea for Narrative” by Richard Delgado (1989) I was particularly taken the way in which this article manipulated the way I felt about the situation every time it presented a different point of view.
R1 – Response to Readings
Response to “Storytelling for Oppositionists and Others: A Plea for Narrative” by Richard Delgado: Fascinating creatures humans are. We are all the same species, and yet we live with both personal and institutional racism. Why is this so? Is this something
R1 – Response to Readings
Response to “Storytelling for Oppositionists and Others: A Plea for Narrative” by Richard Delgado: Fascinating creatures humans are. We are all the same species, and yet we live with both personal and institutional racism. Why is this so? Is this something
R1
As we move towards an increasingly technological society, more and more people are using data to quantify and understand their lives and the world around them, commonly through the use of micro stories (images and text )and mega stories (collections
R1
As we move towards an increasingly technological society, more and more people are using data to quantify and understand their lives and the world around them, commonly through the use of micro stories (images and text )and mega stories (collections