“High Five! Station” by Fra.Biancoshock (2013)

  In front of metro station in Milan, the red sign and big hand invite people to do high five. It brings energy and fun to the station which is representative transportation in the city but also shows mundane urban life.

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“High Five! Station” by Fra.Biancoshock (2013)

  In front of metro station in Milan, the red sign and big hand invite people to do high five. It brings energy and fun to the station which is representative transportation in the city but also shows mundane urban life.

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“MOSSengers” by El&Abe (2009)

  El&Abe(Elly Stevens and Anna Garforth) draw graffiti on the pillar. Though it is obvious and simple message with words which is just written by moss, it claims to stand for voice of nature and sustainability for destroyed(or easily ignored)

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“MOSSengers” by El&Abe (2009)

  El&Abe(Elly Stevens and Anna Garforth) draw graffiti on the pillar. Though it is obvious and simple message with words which is just written by moss, it claims to stand for voice of nature and sustainability for destroyed(or easily ignored)

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“Flock House Project” by Mary Mattingly et al. (2010-2013)

The Flock House project suggested the mobility of living space itself based on social and global fluctuation in today. It shows the most significant character of human society, “interdependence” with its combinable shape and at the same time, it reminds

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“Flock House Project” by Mary Mattingly et al. (2010-2013)

The Flock House project suggested the mobility of living space itself based on social and global fluctuation in today. It shows the most significant character of human society, “interdependence” with its combinable shape and at the same time, it reminds

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“Urban Geode” by A Common Name (2011-2015)

A Common Name filled cracks and holes in urban area with solid and polyhedral shapes made by paper.  Metallic color and inward shape stimulate another dimension or space inside an urban area. More here…

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“Urban Geode” by A Common Name (2011-2015)

A Common Name filled cracks and holes in urban area with solid and polyhedral shapes made by paper.  Metallic color and inward shape stimulate another dimension or space inside an urban area. More here…

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“Cameras” by SpY (2013)

Urban artist, SpY installed 150 fake surveillance cameras all heading for same direction. By exaggerating one of the representative urban elements, it brings up or derides many issues of living in urban like surveillance, shadow, privacy and so on. More here…

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“Cameras” by SpY (2013)

Urban artist, SpY installed 150 fake surveillance cameras all heading for same direction. By exaggerating one of the representative urban elements, it brings up or derides many issues of living in urban like surveillance, shadow, privacy and so on. More here…

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“A Pause in the City that Never Sleeps” by Sabastion ErraZuriz (2015)

    In the city that never sleeps, sometimes sleep is needed. Yawning is known to be contagious and artist Sabastion ErraZuriz uses this in the city that never sleeps. Using the power of yawning placed in one of the

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“A Pause in the City that Never Sleeps” by Sabastion ErraZuriz (2015)

    In the city that never sleeps, sometimes sleep is needed. Yawning is known to be contagious and artist Sabastion ErraZuriz uses this in the city that never sleeps. Using the power of yawning placed in one of the

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“Dirty Underwear: The Musical” by Banksy (2013)

In late 2013, Banksy (probably the best-known street artist in the world) did a month-long ‘residency’ in New York City, creating a new piece somewhere in the city’s five boroughs every day for a month. Banksy named the residency, “Better

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“Dirty Underwear: The Musical” by Banksy (2013)

In late 2013, Banksy (probably the best-known street artist in the world) did a month-long ‘residency’ in New York City, creating a new piece somewhere in the city’s five boroughs every day for a month. Banksy named the residency, “Better

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“Car Theft for Kids” by Machine Project (2011)

Presented by the Walker Art Center in Minneapolis as part of L.A.-based Machine Projects summer 2011 residency, Car Theft for Kids is pretty much what it sounds like–a hands-on workshop for children, teaching them the practical skills necessary to break

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“Car Theft for Kids” by Machine Project (2011)

Presented by the Walker Art Center in Minneapolis as part of L.A.-based Machine Projects summer 2011 residency, Car Theft for Kids is pretty much what it sounds like–a hands-on workshop for children, teaching them the practical skills necessary to break

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Reverend Billy and the Church of Stop Shopping (2014)

In this performance, for which Billy Talen (Reverend Billy) was arrested, he and about a dozen performers dressed as golden toads assembled inside of a Chase bank in New York City. While the toads performed a dance ritual, Reverend Billy

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Reverend Billy and the Church of Stop Shopping (2014)

In this performance, for which Billy Talen (Reverend Billy) was arrested, he and about a dozen performers dressed as golden toads assembled inside of a Chase bank in New York City. While the toads performed a dance ritual, Reverend Billy

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“Lest We See Where We Are” by Ant Hampton and Tim Etchells (2013)

“Lest We See Where We Are” is an autoteatro performance created by Ant Hampton (rotozaza) and Tim Etchells (Forced Entertainment). A single participant begins indoors, listening to an audio track and looking through a series of photographs. The participant then

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“Lest We See Where We Are” by Ant Hampton and Tim Etchells (2013)

“Lest We See Where We Are” is an autoteatro performance created by Ant Hampton (rotozaza) and Tim Etchells (Forced Entertainment). A single participant begins indoors, listening to an audio track and looking through a series of photographs. The participant then

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