Contextual Analysis: The Carnegie Mellon Cut & Academic Mall
The Carnegie Mellon cut and academic mall are large outdoor spaces that help connect all parts of campus and almost used by all people in the university. Physical Qualities Contains human controlled greenery Concrete walkways Steps in front of Hamerschlag
Contextual Analysis: The Carnegie Mellon Cut & Academic Mall
The Carnegie Mellon cut and academic mall are large outdoor spaces that help connect all parts of campus and almost used by all people in the university. Physical Qualities Contains human controlled greenery Concrete walkways Steps in front of Hamerschlag
“Playa Vista” by Joshua Callaghan (2006)
Playa Vista by Joshua Callaghan was a distributed intervention throughout the city of Playa Vista. Images were placed onto various utility boxes and infrastructure in order to supplement their usually unnoticed presence. The images painted onto these utility boxes are
“Playa Vista” by Joshua Callaghan (2006)
Playa Vista by Joshua Callaghan was a distributed intervention throughout the city of Playa Vista. Images were placed onto various utility boxes and infrastructure in order to supplement their usually unnoticed presence. The images painted onto these utility boxes are
“Untitled” by Lodz & Wroclaw (2007)
Untitled is a distributed system of geometries placed onto various surfaces within urban context. The execution of this intervention comes via a formal system of attachments. The geometries vary from angular and faceted pieces to smoother arrays of curved geometry.
“Untitled” by Lodz & Wroclaw (2007)
Untitled is a distributed system of geometries placed onto various surfaces within urban context. The execution of this intervention comes via a formal system of attachments. The geometries vary from angular and faceted pieces to smoother arrays of curved geometry.
“Comfort #6” by Fundacion Telefonica (2008)
This project is an installation that uses fabric tubes to connect exterior windows along the street face of a high rise together. The positive pressure from the buildings HVAC system inflates the tubes and gives them shape. The tubes are
“Comfort #6” by Fundacion Telefonica (2008)
This project is an installation that uses fabric tubes to connect exterior windows along the street face of a high rise together. The positive pressure from the buildings HVAC system inflates the tubes and gives them shape. The tubes are
“Unsubscribe.” by Luke Hottinger and Joyce Liu (2015)
Sometimes we just need to disconnect. On a campus with hundreds of clubs and organizations, we become inundated with flyers, posters, emails, Facebook requests and invites. It’s already difficult to balance a personal life with an academic career; notifications and
“Unsubscribe.” by Luke Hottinger and Joyce Liu (2015)
Sometimes we just need to disconnect. On a campus with hundreds of clubs and organizations, we become inundated with flyers, posters, emails, Facebook requests and invites. It’s already difficult to balance a personal life with an academic career; notifications and
“Urban Seat” by Damien Gires- Le Plan B (2009)
Urban seat seeks to transform mundane artifacts of the urban periphery into seats. The seat engage the context in dynamic way that encourage interaction amongst participants. The seats are made from folded sheet metal and often feature components such
“Urban Seat” by Damien Gires- Le Plan B (2009)
Urban seat seeks to transform mundane artifacts of the urban periphery into seats. The seat engage the context in dynamic way that encourage interaction amongst participants. The seats are made from folded sheet metal and often feature components such
“Duchamp Reloaded” by Ji Lee (2009)
Marcel Duchamp was well know for taking found artifacts from the world and placing them in a gallery format. These series of interventions seeks to accomplish the reciprocal. These are fabricated objects that would normally be places in a gallery,
“Duchamp Reloaded” by Ji Lee (2009)
Marcel Duchamp was well know for taking found artifacts from the world and placing them in a gallery format. These series of interventions seeks to accomplish the reciprocal. These are fabricated objects that would normally be places in a gallery,
Contextual Analysis: The Forbes and Morewood Crosswalk
One of the most trafficked areas of campus is the Forbes and Morewood Crosswalk. It has iconic symbols that everyone on campus can recognize and is the place you’ll most likely see a number of friends in passing. As
Contextual Analysis: The Forbes and Morewood Crosswalk
One of the most trafficked areas of campus is the Forbes and Morewood Crosswalk. It has iconic symbols that everyone on campus can recognize and is the place you’ll most likely see a number of friends in passing. As
“Reflect” by Joyce Liu (2015)
Because South Craig Street is such a liminal space, I wanted to create something that would cause people to stop and reflect. Thus, I created some question cards and decorated a tree with them. Some of the questions include, Why
“Reflect” by Joyce Liu (2015)
Because South Craig Street is such a liminal space, I wanted to create something that would cause people to stop and reflect. Thus, I created some question cards and decorated a tree with them. Some of the questions include, Why
“Private Moon” by Leonid Tishkov (2013)
For years Leonid Tishkov has been traveling around the world with this electric crescent moon. Everywhere he goes he documents it with photographs and quotes these lines by Li Bai. Human can never pluck the moon, But she always
“Private Moon” by Leonid Tishkov (2013)
For years Leonid Tishkov has been traveling around the world with this electric crescent moon. Everywhere he goes he documents it with photographs and quotes these lines by Li Bai. Human can never pluck the moon, But she always