Student Work
R1 – Music and Context
My view of music is that its development is mostly arbitrary, and that works are always in the context of some system, culture, or individual. Rather than something like math or physics, which appear to exist in the universe independent
R1 – Music and Context
My view of music is that its development is mostly arbitrary, and that works are always in the context of some system, culture, or individual. Rather than something like math or physics, which appear to exist in the universe independent
R1 Improv
Out of all the readings, Cornelius’s Towards an Ethic of Improvisation was a wider approach that covered many different facets of the topic of improv. All three of the writers (Cornelius Cardew, George Lewis, and Pauline Oliveros) express the idea that improvisation is an
R1 Improv
Out of all the readings, Cornelius’s Towards an Ethic of Improvisation was a wider approach that covered many different facets of the topic of improv. All three of the writers (Cornelius Cardew, George Lewis, and Pauline Oliveros) express the idea that improvisation is an
R1 – Improvization
In the article ‘Towards an ethic of improvisation’, Cardew mainly argues to prove his point of view that improvisation is actually better music than plain theoretical music. He starts with comparing music to a city and comparing your experience with
R1 – Improvization
In the article ‘Towards an ethic of improvisation’, Cardew mainly argues to prove his point of view that improvisation is actually better music than plain theoretical music. He starts with comparing music to a city and comparing your experience with