{"id":1605,"date":"2012-09-17T00:00:16","date_gmt":"2012-09-17T00:00:16","guid":{"rendered":"https:\/\/teach.alimomeni.net\/2012fall1\/?page_id=1605"},"modified":"2012-10-30T22:05:19","modified_gmt":"2012-10-30T22:05:19","slug":"time-meter-rhythm","status":"publish","type":"page","link":"https:\/\/teach.alimomeni.net\/2012fall1\/?page_id=1605","title":{"rendered":"4_Time, Meter, Rhythm"},"content":{"rendered":"<p><strong>CASE STUDIES OF RHYMIC SYSTEMS and CONCEPTS<\/strong><\/p>\n<ul>\n<li>Western Music Notation\n<ul>\n<li><a href=\"http:\/\/www.musictheoryhelp.co.uk\/fundamentals\/1\/rhythmandtempo\">Rhythm and Tempo<\/a><\/li>\n<li><a href=\"http:\/\/www.tiresias.org\/research\/guidelines\/braille_codes\/braille_music.htm\">Brail music notation<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Gamelan\">Gamelan<\/a>(from Java and Bali)\n<ul>\n<li><a href=\"http:\/\/members.efn.org\/~qehn\/tutor\/\">The People&#8217;s Guide to the Gamelan<\/a><\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Colotomy\">Colotomy<\/a>\u00a0[<a href=\"http:\/\/www.youtube.com\/watch?v=i6IW8M-h_3I\">youtube<\/a>]<\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Irama\">Irama<\/a>\u00a0[<a href=\"http:\/\/members.efn.org\/~qehn\/tutor\/irama.htm\">explanation<\/a>]<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Hindustani_music\">Hindustani<\/a> and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Carnatic_music\">Carnatic Music<\/a>\u00a0(North and South India)\n<ul>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Raga\">Raga<\/a>\u00a0[historic\u00a0explanation\u00a0by <a href=\"http:\/\/www.youtube.com\/watch?v=rcSZE-4q_yA\">Ravi Shankar<\/a>, more detailed one by <a href=\"http:\/\/www.youtube.com\/watch?v=aaWCo5OR7wQ\">Sanjeev Abhyankar<\/a>]<\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Tala_(music)\">Tala<\/a>\u00a0[<a href=\"http:\/\/open.spotify.com\/track\/5h0JMRsxnZ7YqEHzXhdcx4\">Dr. N. Rajam \u2013 Raga Miyan Malhar: Khayal<\/a>]<\/li>\n<\/ul>\n<\/li>\n<li>West African Drumming\n<ul>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Polyrhythm\">Polyrhythm<\/a>\u00a0[<em>Haiti Voodoo <\/em><a href=\"http:\/\/open.spotify.com\/track\/39ORZb0JRSkybviuiaDRx6\">example 1<\/a>, and <a href=\"http:\/\/open.spotify.com\/track\/16gyrf0RHMigJ4HaxwJxyE\">example 2<\/a>]<\/li>\n<li><a href=\"http:\/\/books.google.com\/books?hl=en&amp;lr=&amp;id=Nn6y4iHj6_MC&amp;oi=fnd&amp;pg=PA157&amp;dq=Heterogeneous+Sound+Ideal&amp;ots=-BUtHl1iG9&amp;sig=kJRP9jmvvrKs2uQpseT7cDBzXv0#v=onepage&amp;q=Heterogeneous%20Sound%20Ideal&amp;f=false\">Heterogeneous\u00a0Sound Ideal<\/a>\u00a0[<em>Haiti Voodoo<\/em> <a href=\"http:\/\/open.spotify.com\/track\/7KIO9QCxB4AKNnbSaZUKs6\">example<\/a>]<\/li>\n<\/ul>\n<\/li>\n<li>Contemporary Classical Music\n<ul>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Serialism\">Serialism<\/a>\n<ul>\n<li>Olivier Messiaen \u00a0<em>Quatre \u00e9tudes de rythme\u00a0<\/em>(1949-50) [<a href=\"http:\/\/open.spotify.com\/track\/05FVQAvrhg8Aue0l674E5b\">Various Artists \u2013 4 Etudes de rythme: No. 2. Mode de valeurs et d&#8217;intensites<\/a>]<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Hocket\">Hocketing<\/a>\n<ul>\n<li>Louis Andriessen <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Hoketus\">Hoketus<\/a>\u00a0<\/em>(1974-6)\u00a0[<a href=\"http:\/\/www.youtube.com\/watch?v=R1SzLzbtOhk&amp;feature=relmfu\">youtube<\/a>]<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Phasing\">Phasing<\/a>\n<ul>\n<li>Steve Reich <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Piano_Phase\">Piano Phase <\/a><\/em>(1967)\u00a0[<a href=\"http:\/\/www.youtube.com\/watch?v=JW4_8KjmzZk\">youtube<\/a>]<\/li>\n<li>David Cossin Audio Video phasing [<a href=\"http:\/\/www.youtube.com\/watch?v=8zAcUBZ2yvc\">youtube<\/a>]<\/li>\n<li>Steve Reich <a href=\"http:\/\/en.wikipedia.org\/wiki\/Drumming_(Reich)\">Drumming<\/a> (1970-71) [<a href=\"http:\/\/www.youtube.com\/watch?v=USRGNr17Jm4\">yourube<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=Lp-kKPtKRy8&amp;feature=related\">youtube<\/a>]<\/li>\n<li>Many related <a href=\"http:\/\/www.youtube.com\/results?search_query=piano+phase&amp;oq=piano+phase&amp;gs_l=youtube.3..0l9j0i5.1231.2998.0.3097.15.14.1.0.0.0.280.1349.10j3j1.14.0...0.0...1ac.1.elAH006dfGs\">phasing videos on YouTube<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Rhythmic_cell\">Rhythmic Cell<\/a>\n<ul>\n<li>Igor Stravinsky <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Rite_of_Spring\">Right of Spring<\/a><\/em>\u00a0(1913) [<a href=\"http:\/\/open.spotify.com\/track\/58oSUORmgy4kNWnh2eULYE\">Igor Stravinsky \u2013 Le Sacre du Printemps (The Rite of Spring): Auguries of Spring (Dances of the Young Girls)<\/a>]<\/li>\n<li>Igor Stravinsky <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Symphonies_of_Wind_Instruments\">Symphony of Wind Instruments<\/a><\/em>\u00a0(1920) [<a href=\"http:\/\/open.spotify.com\/track\/7J5MsS6cgjobVoUAqgOOPL\">Chamber Harmony \u2013 Symphony of Wind Instruments<\/a>]<\/li>\n<\/ul>\n<\/li>\n<li>Rhythmic Sparsity\/Density\/Parallelism\n<ul>\n<li>Gy\u00f6rgy Ligeti <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Po%C3%A8me_symphonique\">Po\u00e8me symphonique<\/a> (1962)\u00a0<\/em>[on <a href=\"http:\/\/www.youtube.com\/results?search_query=poeme+symphonique+ligeti&amp;oq=poeme+symphonique+ligeti&amp;gs_l=youtube-reduced.3...158415.170539.0.170834.26.25.1.0.0.0.64.1060.25.25.0...0.0...1ac.1.GyPNmHUJjnw\">YouTube<\/a>]<\/li>\n<li>John Cage\u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/As_Slow_as_Possible\"><em>Organ\u00b2\/ASLSP<\/em>\u00a0(<em>As SLow aS Possible<\/em>)<\/a>\u00a0[1987]<\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Conlon_Nancarrow\">Conlon Nancarrow<\/a> Studies for Player Piano [<a href=\"http:\/\/open.spotify.com\/track\/6B4O7dxM0NZqggk7abizhN\">Conlon Nancarrow \u2013 Study for Player Piano No. 3e<\/a>] (see also this\u00a0<a href=\"http:\/\/www.kickstarter.com\/projects\/otherminds\/nancarrow-at-100-a-centennial-celebration\">centennial\u00a0page\/video<\/a>)<\/li>\n<li>Zimoun <a href=\"http:\/\/www.zimoun.ch\/works.html\">Sound Sculpture Works<\/a>\u00a0[2006-2012]<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><strong>EXPERIMENTS<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/teach.alimomeni.net\/2012fall1\/?p=1609\">The Limits of Time Perception<\/a><\/li>\n<li>Microtiming\n<ul>\n<li><a href=\"http:\/\/www1.icsi.berkeley.edu\/~bilmes\/mitthesis\/abstract.html\">Jeff Bilmes<\/a>\u00a0(Re: <a href=\"http:\/\/open.spotify.com\/track\/0jYenEiFTPu7vILxAHYByo\">Los Mu\u00f1equitos De Matanzas<\/a>\u00a0and <a href=\"http:\/\/archive.cnmat.berkeley.edu\/People\/Vijay\/%20THESIS.html\">Vijay Iyer<\/a>)<\/li>\n<\/ul>\n<\/li>\n<li>Generating Beats (Max patches from class are <a href=\"https:\/\/www.dropbox.com\/sh\/rr8ao2broi4r9ju\/pWImRrUFui\">here<\/a>)<\/li>\n<\/ul>\n<div>\n<ol>\n<ol>\n<li>max timing objects.maxpat<\/li>\n<li>beyond metro &#8211; beatwise.maxpat<\/li>\n<li>beyond metro &#8211; phrase.maxpat<\/li>\n<li>msp timing objects.maxpat<\/li>\n<li>seq~ midi player.maxpat<\/li>\n<li>flexing seq~.maxpat<\/li>\n<li>grooving seq~.maxpat<\/li>\n<li>preplexing seq~.maxpat<\/li>\n<li>beyond seq~.maxhelp<\/li>\n<\/ol>\n<\/ol>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CASE STUDIES OF RHYMIC SYSTEMS and CONCEPTS Western Music Notation Rhythm and Tempo Brail music notation Gamelan(from Java and Bali) The People&#8217;s Guide to the Gamelan Colotomy\u00a0[youtube] Irama\u00a0[explanation] Hindustani and Carnatic Music\u00a0(North and South India) Raga\u00a0[historic\u00a0explanation\u00a0by Ravi Shankar, more detailed one by Sanjeev Abhyankar] Tala\u00a0[Dr. N. Rajam \u2013 Raga Miyan Malhar: Khayal] West African Drumming [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1564,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"coauthors":[37],"class_list":["post-1605","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=\/wp\/v2\/pages\/1605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1605"}],"version-history":[{"count":8,"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=\/wp\/v2\/pages\/1605\/revisions"}],"predecessor-version":[{"id":1618,"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=\/wp\/v2\/pages\/1605\/revisions\/1618"}],"up":[{"embeddable":true,"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=\/wp\/v2\/pages\/1564"}],"wp:attachment":[{"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1605"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/teach.alimomeni.net\/2012fall1\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=1605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}